Tag Archives: textiles

Retrospective • An Archive of work made in 2021

Imagined Journeys A series of small mixed media studies

Below: A Grimsby Girl’s World Tour continues • Stopover Brooklyn. Image credit Pitcher Design. Hand and machine stitch study

Below: Another Time, Another Place and In Another Life were selected for The Broderers Exhibition The Art of Embroidery 2022

In Another Life 2021 continues a Grimsby Girl’s world tour with a stopover in Madrid . Size 48.5 x 59 cms • Hand/machine stitch with applied fabrics

Born in 1913 she was not able to travel during her lifetime and had very few opportunities in life to pursue her artistic and musical interests. She left school aged 13 and was apprenticed to a tailor. It was a hard life with no recognition of her skill as a seamstress. She loved singing and was a talented contralto. Here in another life, alongside her best friend she travels to Madrid to study music, dance and theatre.

Another Time, Another Place 2021 • Size: 48.5 x 59 cms 

Hand/machine stitch/applied fabrics.

Born in a time when women had no right to vote and many left school at 13 or 14 years old. Ordinary women without opportunities to work after marriage or to travel abroad. Combining images of unknown people from the family album with images from the Alcázar Real in Seville, Spain; symbols of heritage combine with memories to make the composition and bring together an imagined journey to another time and place.

Below: Made in Grimsby was selected for the 62 Group exhibition Connected Cloth

Made in Grimsby • The documenting of a small lifestyle clothing brand called Anywear. 1975 • in an Edwardian shop premises, womenswear was designed & made in Grimsby from cloth that travelled from far and wide. During the lifespan of the business the need to become more commercial had replaced the ‘one off’ designs. By 2002 the designer had had enough of designing other people’s clothes and Anywear closed its doors.

Materials :linen and recycled clothing fabrics, cotton and linen threads

Techniques: hand and machine stitch, appliqué, piecing, drawing

Size: 139 x 87.5 x 2.5 cms

Photos by Pitcher Design

Below: Portrait of Mrs P •a head and shoulders portrait of Constance Howard MBE 1910 – 2000.

Size: 30.5 x 38.5 cms (12 x 15ins)

Techniques: hand embroidery & appliqué. Materials: recycled cotton, linen & silk fabrics, cotton embroidery threads & wool yarn. 

Portrait of Constance Howard MBE (1910 – 2000) who established the influential Embroidery department at Goldsmiths College, University of London. She had a huge impact on contemporary embroidery in the second half of the 20th century. 

Constance was a small, charismatic person with bright green hair which she sported from the 1930s up until her death. She was always known to her students as Mrs P.

Below: A Step into The Unknown

A Step Into the Unknown is part of the Imagined Journeys series • mixed media – Size: 116 x 84cms    (46 x 33ins)

A series of small portraits

I am honoured and delighted to have had In Another Life and Another Time, Another Place selected for the Broderers exhibition The Art of Embroidery.

The exhibition will be held at Bankside Gallery, Thames Riverside,48 Hopton Street, London SE1 9JH and runs from 22 – 27 February 2022.

Opening hours Tue 22 – Sat 26 Feb 11:00-18:00  and Sun 27 Feb 11:00-17:00. Due to Covid 19 restrictions please check before traveling.

Free Admission

In Another Life 2021 continues a Grimsby Girl’s world tour with a stopover in Madrid . Size 48.5 x 59 cms • Hand/machine stitch with applied fabrics

In Another life

Born in 1913 she was not able to travel during her lifetime and had very few opportunities in life to pursue her artistic and musical interests. She left school aged 13 and was apprenticed to a tailor. It was a hard life with no recognition of her skill as a seamstress. She loved singing and was a talented contralto. Here in another life, alongside her best friend she travels to Madrid to study music, dance and theatre.

Another Time, Another Place 2021 • Size: 48.5 x 59 cms

Hand/machine stitch/applied fabrics.

Another Time, Another Place

Born in a time when women had no right to vote and many left school at 13 or 14 years old. Ordinary women without opportunities to work after marriage or to travel abroad. Combining images of unknown people from the family album with images from the Alcázar Real in Seville, Spain; symbols of heritage combine with memories to make the composition and bring together an imagined journey to another time and place.

2 new works

In Another Life 2021

Size 48.5 x 59 cms

Hand and machine stitch with applied fabrics

In Another Life 2021 continues a Grimsby Girl’s world tour with a stopover in Madrid.

Born in 1913 she was not able to travel during her lifetime and had very few opportunities in life to pursue her artistic and musical interests. She left school aged 13 and was apprenticed to a tailor. It was a hard life with no recognition of her skill as a seamstress. She loved singing and was a talented contralto. Here in another life, alongside her best friend she travels to Madrid to study music, dance and theatre.

Another Time, Another Place 2021

Size: 48.5 x 59 cms

Hand and machine stitch with applied fabrics.

Born in a time when women had no right to vote and many left school at 13 or 14 years old. Ordinary women without opportunities to work after marriage or to travel abroad. Combining images of unknown people from the family album with images from the Alcázar Real in Seville, Spain; symbols of heritage combine with memories to make the composition and bring together an imagined journey to another time and place.

Imagined journeys: new work in progress August 2021

Hand and machine stitch with applied fabrics.

Combining images of unknown people from the family album with images from the Alcázar Real in Seville, Spain; symbols of heritage combine with memories to make the composition and bring together an imagined journey to another time and place.

There’s still a fair way to go but it seems to be coming together!

Made in Grimsby • The documenting of a small lifestyle clothing brand called Anywear. 1975 • in an Edwardian shop premises, womenswear was designed & made in Grimsby from cloth that travelled from far and wide. During the lifespan of the business the need to become more commercial had replaced the ‘one off’ designs. By 2002 the designer had had enough of designing other people’s clothes and Anywear closed its doors.

Materials :linen and recycled clothing fabrics, cotton and linen threads

Techniques: hand and machine stitch, appliqué, piecing, drawing

Size: 139 x 87.5 x 2.5 cms

Photos by Pitcher Design

New Article on Textileartist.org

I’m really excited to be teaching again for TextileArtist.org Stitch Club next week. It’s a textile story telling workshop and this week they have published a new article about my New York travel story pieces. Check it out here.

Detail of From Grimsby to Greenpoint & Beyond' 2018

Featured in Selvedge Magazine

Selvedge Magazine January issue 86 Rennaisance

I am delighted that my work will be featured in the January issue of Selvedge magazine.

A detail of my work  From Grimsby to Greenpoint & Beyond is part of the article Text-ile Messaging by Doctor Nicola Donovan. 

The magazine is due to be published on December 14th. 
Buy your copy here

Detail of 'From Grimsby to Greenpoint & Beyond' panel 4 of 9

If you’d rather see it ‘in the flesh’ then head off to Sleaford for the 62 Group Ctrl/Shift exhibition where it will be shown in the main gallery at the National Centre for Craft & Design from 2 February to 22 April 2019.

Inspired by a visit to Greenpoint, Brooklyn the emphasis in this piece shifts slightly away from people, and towards place and contains a multitude of references from a specific place, New York and a specific time period 21/12/16 to 3/01/17.

A new approach and a move away from control in the design process meant the work evolved and had several incarnations during the making process rather than being pre-planned.

From Grimsby to Greenpoint & Beyond
From Grimsby to Greenpoint & Beyond
Vancouver

A Flavour of Vancouver

In September I had a fantastic trip to Vancouver, Canada to teach at and give a talk at the  wonderful place that is Maiwa School of Textiles.

These images give just a flavour of the trip.

Read about Maiwa  and if you get the opportunity go and see for yourself.

A Focus on Faces – 2 day workshop.

Work by my brilliant students at Maiwa School of Textiles, Vancouver

3 Day Workshop – Every Picture Tells a Story.

All work by my fantastic students at Maiwa School of Textiles, Vancouver

A trip to the Museum of Anthropology, at University of British Columbia, Vancouver

English Bay day and night

Bushwick, Brooklyn - photo by Yeshen Venema

Remember Me? 24 March to 15 July 2018

Sue Stone: Remember Me?

FISHING HERITAGE CENTRE, Alexandra Dock, Grimsby, N E Lincolnshire, DN32 0RA,UK

Tel: 01472 323345

My retrospective mixed media and textiles exhibition opens on 24 March 2018 at 11 am and includes work inspired by personal relationships, life observations and a pride in my Grimsby heritage. Follow the journey from my first ever figurative piece ‘The Wedding’ made in 2006, to my most recent work made in 2018.

A few images below of work included in the exhibition to whet your appetite.

 


Exhibition Dates: 24 March to 15 July 2018

Opening Times: (24 March to 31 March) Tuesday to Friday 10 am – 4 pm (Closed Mondays) Saturday and Sunday 10 am – 4 pm (including bank holidays)
(1 April to 15 July) Tuesday to Sunday 10 am – 5 pm (Closed Mondays)
Bank holiday Mondays open 10 am – 5 pm

Exhibition Opening Saturday 24 March 11am to 1pm  Light refreshments available.

Exhibition Walking Tour – Saturday 24 March at 2pm
Join artist Sue Stone in conversation with Alf Ludlam for a walking tour of Sue’s solo mixed media textile exhibition ‘Remember Me?’
The event is free but numbers are limited.
Please book by calling the Fishing Heritage Centre on 01472 323345.

 

 

 

Work Archive 2017

I Am Me 2017

first shown at Festival of Quilts 2017 in the Through Our Hands gallery ‘A Portrait’

Individuality, distinctiveness, uniqueness form our identity; who or what we are. This series of self-portraits was inspired by the humankind’s urge to categorise. Whatever you think you see in these images it is still me.
Visual decoration or types of clothing may suggest class, culture, creed, religion or ethnicity. The outer shell and its various wrappings; skin, clothing, accessories, may change and alter appearance as they do. The viewer is asked to form their own opinion of who I really am. The person portrayed whose the inner soul remains the same throughout is me.

Faith, Hope & Fate commissioned artist for ‘Unknown People’

Go to Retrospective • an Archive of work 2016

Retrospective • An Archive of work from 2015

Retrospective • An Archive of work from 2013/14

Retrospective • An Archive of work from 2011/12

Retrospective • An Archive of work from 2009/10

Retrospective • An Archive of work from 2007/8

Retrospective • An Archive of work from 2003 to 2006