Tag Archives: textile artist

A Girl's Day Out for Hilda, Nellie and Ida

A New Home for Girl’s Day Out

A Girl’s Day Out in the East End for Hilda, Nellie and Ida 
mixed media • hand and machine stitch with acrylic paint
size 128 x 102 cms

Yesterday I delivered this piece to its new home in the North East of England. I was sad to see it go so I decided to revisit how I made it, however, I am very happy that it has gone to such a good home with new owners who love it so much. It was made in 2012 for one of the 50th Anniversary exhibitions by the 62 Group of Textile Artists ’62@50′ at the Holden Gallery at Manchester School of Art.

This is my Artist Statement for that exhibition.
Exploring displacement using old family photographs, images of distant relatives I never knew, cut into to a modern day environs, Girls Day Out enquires into and questions, the sense of belonging/not belonging whilst referencing the passing of time and the transience of life itself.

Hilda, Nellie and Ida were 3 sisters and Ida, the tall, elegant one on the right was my sister’s mother-in-law. This piece combined the then, the now and alludes to a journey in-between. The street art in the background is by an artist called Stik and was found in Grimsby St London, E2 in 2011. The images above are the original images I combined to make the work and those below are of the work in progress.

 

 

Sue Stone

Making Space • The 62 Group of Textile Artists

I am delighted to be showing my work in ‘Making Space’ an exhibition by the 62 Group of Textile Artists. The exhibition at Macclesfield Silk Museum runs until 3 September 2016.

image of the Unknown Statistic

New ebooks from Textileartist.org

A great new series of ebooks from Textileartist.org

NB: My work is featured in Contemporary Stitch 1

See all Textileartist.org ebooks  on their ebook page

See Textiles Re:imagined e-book

See  Response to Landscape e-book

See  Inspired by nature e-book

See Contemporary Stitch 1 e-book (NB:This one features my work)

See Contemporary Stitch 2 e-book

Stitched Up Like A Kipper: Fishy threads loom large on the Humber.

It’s been long time coming and we’ve been the butt of many a recent film and TV joke; in fact it goes all the way back to Music Hall days but as you can see from this fantastic new blog who have kindly featured my work, some of us are indeed trying to put the Great back in my hometown of Great Grimsby.

The straw that broke the haddock's back

womanwithfishSue_Stone_Textile-Artist_East-End-Girls-aka-Alice-Madge-and-MurielWoman With a Fish, AKA Sue Stone, is a totally unique and original Grimsby voice.  An artist and maker who works in hand stitch, machine embroidery and mixed media to juxtapose often gritty modern urban scenarios and graffiti art with between the wars, homely, nostalgia. The medium of thread making the contrast both jarring and engaging. It’s also funny, but in an odd sort of a way, as opposed to rolling round the floor in err… stitches. The quirky humour coming from a meme sewn into all of Stone’s work, which is the fact that at least one of her subjects is always carrying a fish. An all to common occurrence in this part of the world.

womanwithafish2 Big fish, little fish… hey we forgot the cardboard box again.

She is current chair and exhibiting member of the 62 Group of Textile Artists and Fellow of the Society of Designer Craftsmen. Born in Grimsby, Sue Stone studied Fashion at St Martins School of…

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Retrospective • An Archive of Work 2013/14

image of Portrait of a Grimsby Girl

Portrait of a Grimsby Girl 2014

Portrait of a Grimsby Girl 76 cm x 55 cm + Book 29 cm x 26 cm

Statement about work 1: 2014 marks the centenary of her birth. The usual ups and downs of life preceded the diagnosis, in 1978 of a rare form of Leukaemia. In 1979 her family watched helplessly as her life ebbed away. As one life ends another begins. 3 weeks later her grandson, Sam was born.
Materials: cotton/ linen fabric, cotton threads, fabric and acrylic paints, bondaweb
Techniques: hand and machine embroidery, painting, bonding
Photo credit: David Ramkalawon

stone,sue,book,3

Portrait of a Grimsby Girl Book 2014

image of the Unknown Statistic

The Unknown Statistic

The Unknown Statistic 100 cm x 70 cm
Statement about work: They stood in the doorway and watched. He whistled as he walked away. He didn’t look back and they never saw him again. The number of children left fatherless by WW1 was not accurately recorded either nationally or locally. Memories fade. Their young lives went on but were changed forever.
Materials: cotton/ linen fabric, cotton threads, fabric and acrylic paints
Techniques: hand and machine embroidery, painting
Photo credit: David Ramkalawon

image of THE boys Go to London Town

The Boys Go to London Town

mixed media • 122 x 92 cms

A Group of small studies made in 2013

image of Do you come here often?

Do You Come Here Often? 2013

As usual my subject matter comes from close to home and I have combined three images. My Mum, my Dad and a church window are the component parts of the composition.
The piece is about my parents early courtship.
He was always a snappy dresser who was a Fish Merchant when Grimsby was known as the ‘Klondyke of the East Coast’. Working his way up he was first a barrow boy and then a filleter before starting his own business. She was a talented tailoress with a rich, and vibrant contralto voice and from a staunch Methodist family.They often met at Flottergate Methodist Church where she was in the choir.
My sister and I have a theory that he only joined the Men’s society so that he could court my Mum. They were married in 1939 when she was 25 years old.

The Universal Child72

The Universal Child 2013

Statement for ‘The Universal Child’ and ’I listen to the radio and hear his voice’

Children are killed, maimed, physically and mentally scarred every day, caught up in the crossfire of senseless religious and sectarian wars
Each stitch on the recycled, linen fabric becomes a symbol of remembrance for the hundreds of thousands of lives lost. The cross-stitches used to represent the kisses those children will never receive.
On radio 4 the news is bad, the words of both bereaved mothers, and victims of horrific attacks are heartbreaking. Those words are depicted by machine embroidered graffiti.
Images of Fred, ‘The Universal Child’ and Harry,’I Listen to the Radio and Hear his Voice’ turn into a device to connect past with present and the materials used to portray them form the common link. The two boys are children of the first world war, the so-called war to end war. Almost 100 years on there is still no end in sight .

STONE,SUE,I hear his voice

I Listen to the Radio and Hear his Voice 2013

detail world tour

Grimsby Girl’s World Tour  Stopover Tokyo 2013

A girl from Grimsby, a tuna from Tsukiji, a holiday in Harajuku combine. Travel through ethereal layers of time and place to Takeshita Street. The artist’s mother was born on 6th December 1914 in a fishing port in the UK. 99 years later this Grimsby girl meets modern day Tokyo.

Linen/cotton fabric, cotton threads, fabric paint. Hand and machine stitch, painting. 59 x 145 cms

Tea Party in Tokyo

A Tea Party in Tokyo 2013

Grimsby, UK, once the world’s busiest fishing port, is the artist’s hometown. East, west, past and present, connect when three sisters from 1920s Grimsby have a tea party in Tokyo. The youngest of the three, Irene, the artist’s mother-in-law was an avid tea drinker all her life.

Linen/cotton fabric, cotton threads, fabric paint.Hand and machine stitch, painting. 60 x 115 cms

image of RIP GY ST version 2

RIP Grimsby St E2 version 2 2013

Retrospective • an archive of work 2011/12

 

image of 'some things never change'

Some Things Never Change 2012

Some Things Never Change 2012
Children of the First World War, the so-called ‘war to end war’ commemorate the plight of children worldwide.
Thousands of kisses on a concrete pillar will never be received.
Cut to 2012. A mother sobs. This is not her war.
Killed by mortar fire, her children were 12,10 and 5 years old.

Materials: Window cleaning linen, applied recycled shirting.
Technique: hand and machine stitch, acrylic paint, appliqué.

First shown at the Knitting & Stitching Shows 2012.

low-res-study-1.jpg

Homage to Nicholson 2012

7 Strands

Weekend in Barcelona 2011

From Grimsby to Gracia • right and David as Dali  • left were inspired by a recent visit to Barcelona, they reference cardboard cutouts of Dali seen outside the Dali Museum , the Gaudi mosaics and tiles in Parc Guell , a colourful tiled floor from a neighbourhood bar and fish from the artist’s hometown of Grimsby.

62 Group of Textile Artists 50th Anniversary Year

A Lot can Happen in 50 Years 2011

A Lot can Happen in Fifty Years • 2011 84 cms x 117 cms • hand and machine stitch

Referencing several items from the Manchester Museum’s costume Collection, including a button shaped like a fish, and a dress and jacket from 1962, the year the 62 group was formed this is a portrait of my sister, Jean, first aged 17, then aged 67.
The clock on the wall shows 2.05 am whilst the wrist watch is set at a later time to indicate the passing of time.
The side panels are made up from labels showing more items from the Collection .
They also reference personal, national and global events from the past 50 years .

image of Family with Fish

Family with Fish 2011

 

image of RIP Grimsby St E2

RIP Grimsby St E2

RIP Grimsby St E2
mixed media • hand and machine stitch with acrylic paint
size 70 x 100 cms

An analogy between two different eras and two different environments, which nonetheless share a name and a sense of loss. Three friends, one carrying a fish, explore one lost environment, Grimsby Street, London, E2 whilst hailing from another. 1930s Grimsby (Lincolnshire) girls meet London 2012.

 

Girl's Day Out for Hilda, Nellie and Ida

Girl’s Day Out for Hilda, Nellie and Ida

Girl’s Day Out in the East End for Hilda, Nellie and Ida 2012
mixed media • hand and machine stitch with acrylic paint
size 128 x 102 cms
Exploring displacement using old family photographs, images of distant relatives I never knew, cut into to a modern day environs, Girls Day Out enquires into and questions, the sense of belonging/not belonging whilst referencing the passing of time and the transience of life itself.

east end girls aka Alice, Madge and Muriel

East End Girls

East End Girls • aka Alice, Madge and Muriel 2012
mixed media • hand and machine stitch with acrylic paint
size 128 x 102 cms
Combining the then and now, evoking a sense of the journey in between produces an ‘at first glance’, homely domestic situation, three women with their dog. On closer inspection abandoned sofas, graffiti, the dilapidation in the slightly surreal composition create an allusion to the circumstance of the women portrayed.