Tag Archives: paint

detail of the Unknown Statistic

People • What are they like?

You can see the works below in an exhibition I am taking part in at Deda, Derby which is curated by David Manley. 2 November 2017 to 2 January 2018.

image of Portrait of a Grimsby Girl 2014

Portrait of a Grimsby Girl 2014

Portrait of a Lincolnshire Lad 2015

Portrait of a Lincolnshire Lad 2015

image of the Unknown Statistic 2014

The Unknown Statistic 2014

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Image of The Unknown Statistic

From Conception to Creation

Read about the making of my piece ‘The Unknown Statistic’ at Textileartist.org

detail of the Unknown Statistic

Detail of the Unknown Statistic

Ebb & Flow • Behind the Scenes

image of Portrait of a Grimsby Girl

Portrait of a Grimsby Girl

The opening of the 62 Group Ebb & Flow exhibition is getting closer but the project itself has been almost two years in the planning. 

It started with an invitation from Grimsby Minster to show our work in the Minster which is a busy and vibrant resource for the people of North East Lincolnshire, an “architectural gem” tracing its history on this site for more than 900 years. I soon realised, however, that because we are such a large group of very diverse artists that there would not be enough suitable hanging space and display for smaller 3D work in the Minster for all of our work to be shown.

A second venue was sort and we were offered the upper floor, the mezzanine, of the Muriel Barker Gallery at the Fishing Heritage Centre in Grimsby. The Grimsby Fishing Heritage Centre was purpose built and opened in 1991. Its permanent exhibition tells the story of the Grimsby Fishing Industry in its heyday in the1950s. The white-walled space at the Fishing Heritage Centre contrasts nicely with the grandeur of the Minster.

image of All at Sea

Lucy Brown
All at Sea

The Ross Tiger, GY398, is an ex-working 1950’s trawler and the largest item in the heritage collections. Lucy Brown, one of our exhibiting members has made site specific work to be shown on board the Tiger. The image left shows Lucy’s ‘sea bags’ which will be installed around the living quarters on the Tiger. Once the venues were in place we worked on the detail of the project and funding bid to Arts Council England by Grimsby Minster which was successful. This enabled us to work with freelance writer and curator, June Hill who has been on hand to advise the group throughout the project and who will be opening the exhibition on 13th September. It also helped the group to put together a full education programme and to produce a full colour catalogue with professional photography which will be on sale at both venues.

Details of our education programme can be found here. Many of our members visited Grimsby in February when we were given a tour of both venues and of the museum collections store. All of our exhibitions are selected by a selection panel of 5. The panel is different for each exhibition and can include a representative from the venue. The selection process has now been completed and 37 pieces of work were selected for the exhibition made by 28 artists.

Photography

Photography Day at the Minster

This week we also completed the photography for the catalogue which is now in the design stages. The catalogue will be on sale at both venues.

The photographer for the majority of the pieces is David Ramkalawon who came to Grimsby from London for 2 days to photograph work at both venues.

The snap left shows David photographing work in Grimsby Minster. 

Next week the hanging process begins. Watch this space for more ‘behind the scenes’ glimpses of Ebb & Flow.

Pinpoint 13 at One Church St Gallery

2 pieces of my work were selected for Pinpoint 13 which is an exhibition of contemporary miniature works that express a sustained conversation with materials. The selecting panel included leading figures within the textile art world, Polly Binns and Linda Brassington, who worked in collaboration with the Directors of One Church Street Gallery. The panel reviewed submissions from hundreds of applicants from around the world, seeking a breadth of approach in the construction or application of cloth and thread. Submissions came from an international arena including Israel, Finland, United States as well as the United Kingdom.

The exhibition runs until 9 November 2013 at One Church St Gallery, Great Missenden, Bucks, UK and also features work by my fellow members of the 62 Group of Textile Artists Ann Goddard and Jan Miller.

More information about these works.

ImageImage

9th Baltic Minitextiles Trienniel , Poland

My mini textile: ‘Study for Some Things Never Change’ (below) has been selected for the 9th Baltic Mini Textile Trienniel at the Museum of Gydnia, Poland . Exhibition runs from 28 June to 1 September 2013. The piece was hand and machine embroidered onto a recycled cotton Damask tablecloth.

image of study for Some Things Never Change

62 Group exhibition • Small Talk opens today 4th June 2013

The latest 62 Group of Textile Artists’ exhibition opens today at the Constance Howard Gallery which is housed in the old Deptford Town Hall building on New Cross Road, London, SE14. 

The 62 Group has a strong link with Goldsmiths as many of the exhibiting members were past students and indeed teachers. “Small Talk”, as the title suggests, brings together new small-scale work in a range of mediums in response to the gallery space.

For more information about the exhibition dates, opening hours and accompanying talks from 62 Group members see: http://womanwithafish.com/Small_Talk_info.html

My piece ‘Do you come here Often?’ can be seen in this exhibition. For more information about this mixed media work which combines embroidery and appliqué with acrylic paint see: http://womanwithafish.com/Do_you_come_here_often.html

image of Do you come here often?

Paint • Stitch • in progress 2

In the early morning listening to Radio 4 the news all seems to be bad. My most recent piece is called Some things never change. The need to make this work was triggered by an interview with a mother telling the reporter of the fate of her children aged 12,10 and 5 , killed by mortar fire in a war that was not hers. As a mother myself the interview deeply affected me. I have never been a particularly political person but I feel the need to speak out, in my own way, about the victims of these senseless conflicts. Born in 1913 my Dad was a child of the 1st World war, the so called the war to end war and I have used his image, along that of his siblings, as a mechanism to portray the plight of children still caught up in war in 2012. Thousands of kisses cover a concrete pillar for those who will never receive them. The images are of the work in progress.