‘From Grimsby to Greenpoint and Beyond’ has been selected for the 62 Group exhibition ‘Ctrl/Shift’ which will open at MAC, Birmingham on 21 July and runs until 9 September. The piece is made up of 9 sections measures 175 x 123 cms when assembled.
Materials :Linen/recycled clothing fabrics,cotton threads, InkTense pencils,acrylic paint
Techniques: Hand and machine stitch.appliqué, piecing, drawing, painting
Details of ‘From Grimsby to Greenpoint & Beyond’ photos by Yeshen Venema
A visit to Greenpoint, Brooklyn, New York sparked the idea for this work in which the emphasis shifts slightly away from people, and towards place, a specific place, New York and a snapshot of a specific time period 21/12/16 to 3/01/17. Another small shift is in the use of materials, black thread was used abundantly in this piece this is a new departure as was the use of Derwent InkTense pencils to draw and colour the background fabric.
A new approach, an attempt to capture a new energy in the work and a move away from control in the design process meant the work evolved and has had several incarnations during the making process rather than being pre-planned.
There are a multitude of references in this work; to the atmosphere and fast pace of New York City to the areas and places visited and to great beer, coffee and food consumed. Also referenced are a selection of the many street artists in Greenpoint and Bushwick including Faille, a Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller and there’s tribute paid to particular artworks, ‘Jawbone of an Ass’ by Jean-Michel Basquiat and ‘The Mermaid’ a sculpture by Liz Craft at the Whitney Museum of American Art in Manhattan.
My new online Texture & Pattern course in conjunction with my sons Joe & Sam from Textileartist.org is open for registration until 23/06/17.
The course is all about focusing in and pushing the potential of just a few basic textile techniques (like hand stitch and appliqué), so you feel empowered to develop a visual vocabulary that is personal to you.
And, because founding students get lifetime access, you can immerse yourself in regular, manageable bursts of creativity on your own schedule.
Alf Pitcher, my father-in-law was in the Royal Navy during the Second World War. My husband clearly remembers playing with his Dad’s Royal Navy issue sewing kit and now after searching the old sideboard in the living room my brother-in-law John has found it and I have it safely stored for inclusion in my 2018 exhibition.
and in a similar vein this memory from H. Wade.
I have now catalogued hundreds of your memories and have been looking for some common threads. Knitting, crochet and sewing dominate. No surprise really as most of the memories were collected at the Knitting & Stitching Shows.
Of the knitting memories I found this one from Pamela Richardson particularly fascinating.
“While in the Navy, Uncle Sid learnt to knit and throughout their married life they would share the knitting of any garment. Auntie Joyce would knit the front and back and Uncle Sid the sleeves. It worked for them.” This is a beautifully visual memory and I can just see them sitting either side of a fireplace in armchairs; she knitting the body and he knitting the sleeves.
Pamela’s Uncle Sid and Auntie Joyce Jaggs at their wedding in 1953
Here’s an interesting a fashion faux pas from Maggie!
…………. and I’ve been experimenting with printed paper, organza and stitch – memory of a paper dress from Susan Enticknap. Experimentation gives me some more thinking time.
Clear thought is essential for me to process what I’m actually going to make. More soon .
I Remember You : The Collected Memories Project 2017 and ongoing
Some of the hand written Memory cards collected at Ally Pally 2016
It’s time for the sorting out and cataloguing to begin; in other words the hard work . Thought and time are as integral to my work as the actual making and with so much inspiration from the memory cards I collected at the Knitting & Stitching Shows in the Autumn my head is spinning with ideas.