Tag Archives: exhibitions

Detail of From Grimsby to Greenpoint & Beyond' 2018

Ctrl/Shift is going on Tour

I’m delighted to announce that the 62 Group exhibition Ctrl/Shift will be touring next year.

First stop is the  National Centre for Craft and Design where the exhibition will be shown in the main gallery space from 2 February to 22 April 2019. More venues will be coming later.

So if you missed seeing my work ‘From Grimsby to Greenpoint & Beyond in Birmingham why not try and catch it a NCCD, Sleaford, Lincolnshire.

Details of  From Grimsby to Greenpoint & Beyond  by Sue Stone.

Photos by Yeshen Venema.

 

 

Ctrl / Shift
New Directions in Textile Art
2 Feb – 22 Apr 2019
Main Gallery, NCCD, Sleaford, Lincs, UK
The creative tension between accomplished skill, experimentation and the development of new ideas, provides the starting point for Ctrl/Shift, the latest exhibition from The 62 Group of Textile Artists. The exhibition enables participating artists to explore projects which manifest as transformations in their practice. Ctrl/Shift takes shifts and changes as its theme; in particular it is centred on artists whose practice is or has transformed, in small or large ways, especially towards expressions of innovation in textile art. These shifts may be around changing attitudes to control; the introduction of new materials and techniques; and/or the impact of innovative and contemporary themes and ideas, and evolving technologies.

The exhibition comprises over thirty artworks by twentyfive artists, including carefully selected outcomes from a collaboration between three artists who reflected on and were inspired by each other’s work.

The exhibition concept has been developed in partnership with the 62 Group and independent curator Liz Cooper.

The 62 Group is an artist-led organisation which aims to incorporate and challenge the boundaries of textile practice through an ambitious and innovative annual programme of exhibitions and events. Since its establishment in 1962 some of the most highly regarded British & international textile artists have been members of the group.

The artists are (UK unless otherwise noted):

Imogen Aust, Caroline Bartlett, Heather Belcher
Eszter Bornemisza (Hungary), Lucy Brown, Penny Burnfield
Nigel Cheney, Daisy Collingridge, Isobel Currie
Flox den Hartog Jager (Netherlands), Catherine Dormor, Dawn Dupree
Caren Garfen, Emily Jo Gibbs, Ann Goddard
Joanna Kinnersly-Taylor, Hannah Lamb, Debbie Lyddon
Jae Maries, Sian Martin, Jane McKeating
Sumi Perera (Sri Lanka/UK), Shuna Rendel, Vanessa Rolf
Sue Stone

More Details of From Grimsby to Greenpoint & Beyond

Photos by Yeshen Venema.

Ctrl/Shift

The next 62 Group exhibition ‘Ctrl/Shift’ opens on 21 July 2018 and I am delighted that my work ‘From Grimsby to Greenpoint & Beyond’ has been selected to be shown at MAC, Birmingham.

From Grimsby to Greenpoint & Beyond

The exhibition is grouped into four main thematic areas but could equally have been split many other ways. There is also a Project Space in which samples, tools, photos, short films and other materials will shed some light on the making process. We hope that the works will delight, provoke, entertain and educate; and inspire others to explore this most powerful of media, textiles.

The exhibition concept has been developed in partnership with the 62 Group and independent curator Liz Cooper.

The exhibiting artists are:

Imogen Aust, Caroline Bartlett, Heather Belcher, Eszter Bornemisza, Lucy Brown, Penny Burnfield, Nigel Cheney, Daisy Collingridge, Isobel Currie, Flox den Hartog Jager, Catherine Dormor, Dawn Dupree, Caren Garfen, Emily Jo Gibbs, Ann Goddard, Joanna Kinnersly-Taylor, Hannah Lamb, Debbie Lyddon, Sîan Martin, Jane McKeating, Sumi Perera, Shuna Rendel, Vanessa Rolf, and Sue Stone

The Ctrl/Shift Private view is on Saturday 21 July at the MAC and I have attached an invitation, with details, as you are all welcome to come and celebrate the opening with us and to meet some of the artists. Admission is free but booking is essential. Book Here

 

 

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6th Riga International Textile and Fibre Art Triennial Tradition and Innovation on the theme: Identity! 

In 2018 Latvia will celebrate the centenary anniversary of the Republic of Latvia and the Triennial will be part of the festivity cultural programme. I am delighted, and as usual very relieved when I send my artwork abroad, to say that my work I Am Me has arrived in Riga for the 6th Riga International Textile and Fibre Art Triennial Tradition and Innovation on the theme: Identity! I Am Me is one of 85 artworks  from 28 countries chosen for the exhibition from 218 applications.

The exhibition opens on 6 June 2018 at 4 p.m at the Arsenāls Exhibition Hall, Riga  (Torņa St. 1) and will run until September 9, 2018.

Stone,Sue_This_is_ Me

I Am Me – Artist’s Statement

Individuality, distinctiveness, uniqueness form our identity; who or what we are. Visual decoration or types of clothing may suggest class, culture, creed, religion or ethnicity. The outer shell and its various wrappings; skin, clothing, accessories, may alter and transform my appearance as they change. 

This work, made up of 12 self-portraits, is inspired by the humankind’s urge to categorise. Whoever you think you see in these images the person portrayed remains the same throughout. It is me and the viewer is asked to form their own opinion of who I really am.

Stone,Sue,tattoos2

I Am Me – Tattoos

This is Me

I Am Me – Hilda

Stone,Sue,Orange_yellow _turban1

I Am Me – Turban 2

Stone,Sue,punk

I Am Me – punk

This is Me

I Am Me 4

This is me

I Am Me 6

This is me

I Am Me 9

Stone,Sue,Bow

I Am Me – Iris

This is Me

I Am Me 12

This is me

I Am Me 1

This is Me

I Am Me 7

Bushwick, Brooklyn - photo by Yeshen Venema

Remember Me? 24 March to 15 July 2018

Sue Stone: Remember Me?

FISHING HERITAGE CENTRE, Alexandra Dock, Grimsby, N E Lincolnshire, DN32 0RA,UK

Tel: 01472 323345

My retrospective mixed media and textiles exhibition opens on 24 March 2018 at 11 am and includes work inspired by personal relationships, life observations and a pride in my Grimsby heritage. Follow the journey from my first ever figurative piece ‘The Wedding’ made in 2006, to my most recent work made in 2018.

A few images below of work included in the exhibition to whet your appetite.

 


Exhibition Dates: 24 March to 15 July 2018

Opening Times: (24 March to 31 March) Tuesday to Friday 10 am – 4 pm (Closed Mondays) Saturday and Sunday 10 am – 4 pm (including bank holidays)
(1 April to 15 July) Tuesday to Sunday 10 am – 5 pm (Closed Mondays)
Bank holiday Mondays open 10 am – 5 pm

Exhibition Opening Saturday 24 March 11am to 1pm  Light refreshments available.

Exhibition Walking Tour – Saturday 24 March at 2pm
Join artist Sue Stone in conversation with Alf Ludlam for a walking tour of Sue’s solo mixed media textile exhibition ‘Remember Me?’
The event is free but numbers are limited.
Please book by calling the Fishing Heritage Centre on 01472 323345.

 

 

 

Bushwick, Brooklyn - photo by Yeshen Venema

From Grimsby to Greenpoint and Beyond

‘From Grimsby to Greenpoint and Beyond’ has been selected for the 62 Group exhibition ‘Ctrl/Shift’ which will open at MAC, Birmingham on 21 July and runs until 9 September. The piece is made up of 9 sections measures 175  x 123 cms when assembled.
Materials :Linen/recycled clothing fabrics,cotton threads, InkTense pencils,acrylic paint
Techniques: Hand and machine stitch.appliqué, piecing, drawing, painting

Details of ‘From Grimsby to Greenpoint & Beyond’ photos by Yeshen Venema

Sue Stone 15Sue Stone 21Sue Stone 2Sue Stone 5Sue Stone 14Sue Stone 16Sue Stone 25
A visit to Greenpoint, Brooklyn, New York sparked the idea for this work in which the emphasis shifts slightly away from people, and towards place, a specific place, New York and a snapshot of a specific time period 21/12/16 to 3/01/17. Another small shift is in the use of materials, black thread was used abundantly in this piece this is a new departure as was the use of Derwent InkTense pencils to draw and colour the background fabric.
A new approach, an attempt to capture a new energy in the work and a move away from control in the design process meant the work evolved and has had several incarnations during the making process rather than being pre-planned.
There are a multitude of references in this work; to the atmosphere and fast pace of New York City to the areas and places visited and to great beer, coffee and food consumed. Also referenced are a selection of the many street artists in Greenpoint and Bushwick including Faille, a Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller and there’s tribute paid to particular artworks, ‘Jawbone of an Ass’ by Jean-Michel Basquiat and ‘The Mermaid’ a sculpture by Liz Craft at the Whitney Museum of American Art in Manhattan.

Work Archive 2017

I Am Me 2017

first shown at Festival of Quilts 2017 in the Through Our Hands gallery ‘A Portrait’

Individuality, distinctiveness, uniqueness form our identity; who or what we are. This series of self-portraits was inspired by the humankind’s urge to categorise. Whatever you think you see in these images it is still me.
Visual decoration or types of clothing may suggest class, culture, creed, religion or ethnicity. The outer shell and its various wrappings; skin, clothing, accessories, may change and alter appearance as they do. The viewer is asked to form their own opinion of who I really am. The person portrayed whose the inner soul remains the same throughout is me.

 

Faith, Hope & Fate commissioned artist for ‘Unknown People’

Go to Retrospective • an Archive of work 2016

Retrospective • An Archive of work from 2015

Retrospective • An Archive of work from 2013/14

Retrospective • An Archive of work from 2011/12

Retrospective • An Archive of work from 2009/10

Retrospective • An Archive of work from 2007/8

Retrospective • An Archive of work from 2003 to 2006

 

I Am Me

This is new work in progress for ‘Through Our Hands – A Portrait’ at the Festival of Quilts 10 to 13 August. There will be around 12 to  14 portraits when completed.

I’m in the process of making this series of self-portraits which are slightly different to usual. These portraits show me as someone else.

But who am I really?

Stone,Sue,punk
Visual decoration or types of clothing may suggest class, culture, creed, religion or ethnicity.

The outer shell and its various wrappings; skin, clothing, accessories, may change and alter appearance as they do.

 

Stone,Sue,Headscarf

Self-portrait with Headscarf

I Remember You : The Collected Memories Project 2017 and ongoing

It’s time for the sorting out and cataloguing to begin; in other words the hard work . Thought and time are as integral to my work as the actual making and with so much inspiration from the memory cards I collected at the Knitting & Stitching Shows in the Autumn my head is spinning with ideas.

Which way will I go?

Follow my progress here

Archive of work 2016

Do You Remember Me? book published 2016 price £10

Buy it here

 

This book was published to accompany my solo exhibition Do You Remember Me? at the Knitting & Stitching shows 2016

Alexandra Palace, London – 5 to 9 October
RDS, Dublin – 20 to 23 October
HIC, Harrogate – 24 to 27 November

Documenting the thoughts and processes behind my series of portraits and self-portraits, stitched and painted marks on cloth; one embroiderer’s personal examination of memory, self and relationship with self.

When we observe ourselves, what do we see? Our observations and opinions of ourselves can change and our memories can alter those observations and opinions over time. My observations have been recorded in a way that invites the viewer to take a glimpse inside my life and draw their own conclusions.

Family Tree (below) 2016
mixed media
An installation of 18 images which explore relationships with, and between, the artist’s immediate family members; grandparents, parents, sons, daughters, in laws are all represented here.

 

Images below are of the work installed at the 2016 Knitting & Stitching Shows in Dublin (left) and Alexandra Palace, London (right)

Numbers 58 t0 63 of 63• a Self Portrait were completed in 2016

Family Portrait (below) 2016
mixed media
Inspired by Gilbert & George’s self portrait ‘We’ this is a portrait of the artist’s immediate family

Family Portrait

Family Portrait 2016

Self Portrait with Fish (below) 2016 mixed media

This self portrait was inspired by a gifted image. Thank you Gienia Bartlett, Leeds EG.
The fish is a symbol of the artist’s Grimsby heritage.

Self Portrait with Fish on a Washing Line 2016 hand stitch

Self Portrait with Fish on a Washing Line 2016

Exhibitions 2016

Shifting Images 8 September 2015 – 6 March 2016 – a group exhibition of self-portraits, Grimsby, UK

Illustrative and Stitched Drawings – 28 November 2015 – 10 January 2016
part of the Drawing Project, Customs House Gallery, South Shields, Tyne & Wear, UK

Trait – Portrait • April 16 to September 26, 2016. My work Portrait of Benjamin Bohin will be shown as part of the Normandy Impressionist Festival
(www.normandie-impressionniste.fr) at the French needle manufacturer La Manufacture Bohin, Saint Sulpice – Sur -Risle, France

People • Place • Time – 27 May to 10 July • solo exhibition – Howden Park Centre , Livingston, Scotland, UK

Making Space – 16 June to 3 September • 62 Group exhibition – Silk Museum, Macclesfield, UK
Do You Remember Me? October/ November invited gallery artist Knitting & Stitching Shows 2016 • Alexandra Palace, London, RDS Dublin, Harrogate International Centre

Retrospective • an Archive of Work 2017

Retrospective • an Archive of work 2016

Retrospective • An Archive of work from 2015

Retrospective • An Archive of work from 2013/14

Retrospective • An Archive of work from 2011/12

Retrospective • An Archive of work from 2009/10

Retrospective • An Archive of work from 2007/8

Retrospective • An Archive of work from 2003 to 2006

 

A Girl's Day Out for Hilda, Nellie and Ida

A New Home for Girl’s Day Out

A Girl’s Day Out in the East End for Hilda, Nellie and Ida 
mixed media • hand and machine stitch with acrylic paint
size 128 x 102 cms

Yesterday I delivered this piece to its new home in the North East of England. I was sad to see it go so I decided to revisit how I made it, however, I am very happy that it has gone to such a good home with new owners who love it so much. It was made in 2012 for one of the 50th Anniversary exhibitions by the 62 Group of Textile Artists ’62@50′ at the Holden Gallery at Manchester School of Art.

This is my Artist Statement for that exhibition.
Exploring displacement using old family photographs, images of distant relatives I never knew, cut into to a modern day environs, Girls Day Out enquires into and questions, the sense of belonging/not belonging whilst referencing the passing of time and the transience of life itself.

Hilda, Nellie and Ida were 3 sisters and Ida, the tall, elegant one on the right was my sister’s mother-in-law. This piece combined the then, the now and alludes to a journey in-between. The street art in the background is by an artist called Stik and was found in Grimsby St London, E2 in 2011. The images above are the original images I combined to make the work and those below are of the work in progress.