Re-Tellings Exhibition and a review of my online course in conjunction with Textileartist.org Exploring texture & Pattern
Featured in Embroidery – the Textile Art magazine
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Featured in Selvedge Magazine
I am delighted that my work will be featured in the January issue of Selvedge magazine.
A detail of my work From Grimsby to Greenpoint & Beyond is part of the article Text-ile Messaging by Doctor Nicola Donovan.
The magazine is due to be published on December 14th.
Buy your copy here
If you’d rather see it ‘in the flesh’ then head off to Sleaford for the 62 Group Ctrl/Shift exhibition where it will be shown in the main gallery at the National Centre for Craft & Design from 2 February to 22 April 2019.
Inspired by a visit to Greenpoint, Brooklyn the emphasis in this piece shifts slightly away from people, and towards place and contains a multitude of references from a specific place, New York and a specific time period 21/12/16 to 3/01/17.
A new approach and a move away from control in the design process meant the work evolved and had several incarnations during the making process rather than being pre-planned.
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A Flavour of Vancouver
In September I had a fantastic trip to Vancouver, Canada to teach at and give a talk at the wonderful place that is Maiwa School of Textiles.
These images give just a flavour of the trip.
Read about Maiwa and if you get the opportunity go and see for yourself.
Maiwa Loft
Maiwa Loft
Maiwa Loft
A Focus on Faces – 2 day workshop.
Work by my brilliant students at Maiwa School of Textiles, Vancouver
Work by a student at Maiwa
Work by a student at Maiwa, Canada
Work by a student at Maiwa, Canada
Work by a student at Maiwa, Canada
Work by a student at Maiwa, Canada
Work by a student at Maiwa, Canada
Work by a student at Maiwa, Canada
Work by a student at Maiwa, Canada
3 Day Workshop – Every Picture Tells a Story.
All work by my fantastic students at Maiwa School of Textiles, Vancouver
work by a student at Maiwa
work by a student at Maiwa
work by a student at Maiwa
Work by a student at Maiwa, Canada
Work by a student at Maiwa, Canada
A trip to the Museum of Anthropology, at University of British Columbia, Vancouver
Museum of Anthropology UBC
English Bay day and night
English Bay, Vancouver
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Retrospective • an archive of work from 2018
Self Portrait with Bear and Masks
Inspired by a visit to the Museum of Anthropology, Vancouver.
Size 18.5 x 19.5 cms
hand and machine stitch with appliqué
From Grimsby to Greenpoint & Beyond
From Grimsby to Greenpoint & Beyond • photo by Yeshen Venema
Materials :Linen and recycled clothing fabrics,cotton threads, InkTense pencils,acrylic paint
Techniques: Hand and machine stitch.appliqué, piecing, drawing, painting
A visit to Greenpoint, Brooklyn, New York sparked the idea for this work in which the emphasis shifts slightly away from people, and towards place, a specific place, New York and a snapshot of a specific time period 21/12/16 to 3/01/17. Another small shift is in the use of materials, black thread was used abundantly in this piece this is a new departure as was the use of Derwent InkTense pencils to draw and colour the background fabric.
A new approach, an attempt to capture a new energy in the work and a move away from control in the design process meant the work evolved and has had several incarnations during the making process rather than being pre-planned.
There are a multitude of references in this work; to the atmosphere and fast pace of New York City to the areas and places visited and to great beer, coffee and food consumed. Also referenced are a selection of the many street artists in Greenpoint and Bushwick including Faille, a Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller and there’s tribute paid to particular artworks, ‘Jawbone of an Ass’ by Jean-Michel Basquiat and ‘The Mermaid’ a sculpture by Liz Craft at the Whitney Museum of American Art in Manhattan.
Studies for Collected Memories
Virginia and her Mum
Beryl’s Gran and her Friends 2018 Study for Collected Memories Hand/machine stitch with paint.
Randi and Mr Bunny 2018 for Collected memories Hand/machine stitch with appliqué .
Carmel and Dora 2018 for Collected Memories Hand/machine stitch with paint.
Study for 6 Little Girls 2018 for Collected Memories machine/hand stitch, ink pencils and paint.
New Handling Samples 2018
Handling sample
Handling sample
Handling sample
Handling sample
Handling sample
Handling sample
Handling sample
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Ctrl/Shift is going on Tour
I’m delighted to announce that the 62 Group exhibition Ctrl/Shift will be touring next year.
First stop is the National Centre for Craft and Design where the exhibition will be shown in the main gallery space from 2 February to 22 April 2019. More venues will be coming later.
So if you missed seeing my work ‘From Grimsby to Greenpoint & Beyond in Birmingham why not try and catch it a NCCD, Sleaford, Lincolnshire.
Details of From Grimsby to Greenpoint & Beyond by Sue Stone.
Photos by Yeshen Venema.
Detail of From Grimsby to Greenpoint & Beyond – photo Yeshen Venema
Detail of From Grimsby to Greenpoint & Beyond
Detail of From Grimsby to Greenpoint & Beyond
Detail of From Grimsby to Greenpoint & Beyond
From Grimsby to Greenpoint & Beyond
Ctrl / Shift
New Directions in Textile Art
2 Feb – 22 Apr 2019
Main Gallery, NCCD, Sleaford, Lincs, UK
The creative tension between accomplished skill, experimentation and the development of new ideas, provides the starting point for Ctrl/Shift, the latest exhibition from The 62 Group of Textile Artists. The exhibition enables participating artists to explore projects which manifest as transformations in their practice. Ctrl/Shift takes shifts and changes as its theme; in particular it is centred on artists whose practice is or has transformed, in small or large ways, especially towards expressions of innovation in textile art. These shifts may be around changing attitudes to control; the introduction of new materials and techniques; and/or the impact of innovative and contemporary themes and ideas, and evolving technologies.
The exhibition comprises over thirty artworks by twentyfive artists, including carefully selected outcomes from a collaboration between three artists who reflected on and were inspired by each other’s work.
The exhibition concept has been developed in partnership with the 62 Group and independent curator Liz Cooper.
The 62 Group is an artist-led organisation which aims to incorporate and challenge the boundaries of textile practice through an ambitious and innovative annual programme of exhibitions and events. Since its establishment in 1962 some of the most highly regarded British & international textile artists have been members of the group.
The artists are (UK unless otherwise noted):
Imogen Aust, Caroline Bartlett, Heather Belcher
Eszter Bornemisza (Hungary), Lucy Brown, Penny Burnfield
Nigel Cheney, Daisy Collingridge, Isobel Currie
Flox den Hartog Jager (Netherlands), Catherine Dormor, Dawn Dupree
Caren Garfen, Emily Jo Gibbs, Ann Goddard
Joanna Kinnersly-Taylor, Hannah Lamb, Debbie Lyddon
Jae Maries, Sian Martin, Jane McKeating
Sumi Perera (Sri Lanka/UK), Shuna Rendel, Vanessa Rolf
Sue Stone
More Details of From Grimsby to Greenpoint & Beyond
Photos by Yeshen Venema.
Detail of From Grimsby to Greenpoint & Beyond
Detail of From Grimsby to Greenpoint & Beyond
Detail of From Grimsby to Greenpoint & Beyond
Detail of From Grimsby to Greenpoint and Beyond 2018 – photo by Yeshen Venema
Detail of From Grimsby to Greenpoint & Beyond
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Ctrl/Shift
The next 62 Group exhibition ‘Ctrl/Shift’ opens on 21 July 2018 and I am delighted that my work ‘From Grimsby to Greenpoint & Beyond’ has been selected to be shown at MAC, Birmingham.
The exhibition is grouped into four main thematic areas but could equally have been split many other ways. There is also a Project Space in which samples, tools, photos, short films and other materials will shed some light on the making process. We hope that the works will delight, provoke, entertain and educate; and inspire others to explore this most powerful of media, textiles.
The exhibition concept has been developed in partnership with the 62 Group and independent curator Liz Cooper.
The exhibiting artists are:
Imogen Aust, Caroline Bartlett, Heather Belcher, Eszter Bornemisza, Lucy Brown, Penny Burnfield, Nigel Cheney, Daisy Collingridge, Isobel Currie, Flox den Hartog Jager, Catherine Dormor, Dawn Dupree, Caren Garfen, Emily Jo Gibbs, Ann Goddard, Joanna Kinnersly-Taylor, Hannah Lamb, Debbie Lyddon, Sîan Martin, Jane McKeating, Sumi Perera, Shuna Rendel, Vanessa Rolf, and Sue Stone
The Ctrl/Shift Private view is on Saturday 21 July at the MAC and I have attached an invitation, with details, as you are all welcome to come and celebrate the opening with us and to meet some of the artists. Admission is free but booking is essential. Book Here
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6th Riga International Textile and Fibre Art Triennial Tradition and Innovation on the theme: Identity!
In 2018 Latvia will celebrate the centenary anniversary of the Republic of Latvia and the Triennial will be part of the festivity cultural programme. I am delighted, and as usual very relieved when I send my artwork abroad, to say that my work I Am Me has arrived in Riga for the 6th Riga International Textile and Fibre Art Triennial Tradition and Innovation on the theme: Identity! I Am Me is one of 85 artworks from 28 countries chosen for the exhibition from 218 applications.
The exhibition opens on 6 June 2018 at 4 p.m at the Arsenāls Exhibition Hall, Riga (Torņa St. 1) and will run until September 9, 2018.
I Am Me – Artist’s Statement
Individuality, distinctiveness, uniqueness form our identity; who or what we are. Visual decoration or types of clothing may suggest class, culture, creed, religion or ethnicity. The outer shell and its various wrappings; skin, clothing, accessories, may alter and transform my appearance as they change.
This work, made up of 12 self-portraits, is inspired by the humankind’s urge to categorise. Whoever you think you see in these images the person portrayed remains the same throughout. It is me and the viewer is asked to form their own opinion of who I really am.
I Am Me – Tattoos
I Am Me – Hilda
I Am Me – Turban 2
I Am Me – punk
I Am Me 4
I Am Me 6
I Am Me 9
I Am Me – Iris
I Am Me 12
I Am Me 1
I Am Me 7
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Remember Me? 24 March to 15 July 2018
Sue Stone: Remember Me?
FISHING HERITAGE CENTRE, Alexandra Dock, Grimsby, N E Lincolnshire, DN32 0RA,UK
Tel: 01472 323345
My retrospective mixed media and textiles exhibition opens on 24 March 2018 at 11 am and includes work inspired by personal relationships, life observations and a pride in my Grimsby heritage. Follow the journey from my first ever figurative piece ‘The Wedding’ made in 2006, to my most recent work made in 2018.
A few images below of work included in the exhibition to whet your appetite.
Detail of From Grimsby to Greenpoint and Beyond 2018 – photo by Yeshen Venema
63:63 – 2016
Pop Stone * Family Tree 2016
The Unknown Statistic 2014 – photo by David Ramkalawon
RIP Grimsby St E2 – 2012
Exhibition Dates: 24 March to 15 July 2018
Opening Times: (24 March to 31 March) Tuesday to Friday 10 am – 4 pm (Closed Mondays) Saturday and Sunday 10 am – 4 pm (including bank holidays)
(1 April to 15 July) Tuesday to Sunday 10 am – 5 pm (Closed Mondays)
Bank holiday Mondays open 10 am – 5 pm
Exhibition Opening Saturday 24 March 11am to 1pm Light refreshments available.
Exhibition Walking Tour – Saturday 24 March at 2pm
Join artist Sue Stone in conversation with Alf Ludlam for a walking tour of Sue’s solo mixed media textile exhibition ‘Remember Me?’
The event is free but numbers are limited.
Please book by calling the Fishing Heritage Centre on 01472 323345.
Portrait of a Grimsby Girl 2014 – photo David Ramkalawon
Some Things Never Change 2012
Woman with a Fish 2009 – photo by Steve Thornton
Closed 2008
East End Chair 2007
The Wedding 2006 photo by Steve Thornton
Fred and Harry on the Pontoon • 60 x 46 cms
Bathing Belles 2009 photo by Steve Thornton
Skipper Johannes Hansen 2009 • 40 x 46 cms
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A Residential Workshop at Chateau Dumas with Sue Stone
Sue Stone – Personal Narratives and Creative Characters
4 – 11 August 2018
In August I am delighted to be teaching a workshop at Chateau Dumas in SW France in conjunction with Selvedge . Booking is open now
In this residential workshop I will introduce you to the many ways of working figuratively. We will look at a series of different artists and the various methods they use to depict the human figure from the substantial and serious to the light-hearted and whimsical.
During the week we will create some characters, and make some small studies using figurative and narrative elements and look at ways to incorporate your own narratives and memories using images and text.
I will guide you through quick & easy ways to get started and share the simple processes I use myself. There will be a focus on hand stitch, layering and appliqué with an option to add machine stitch if you wish.
I will advise you on how to use your own drawings, photographs or vintage illustrations to convey ideas, thoughts and memories. You’ll quickly gain the confidence to stamp your own personality on your work.
Fate – photo by Sue Stone
Detail of From Grimsby to Greenpoint & Beyond – photo Yeshen Venema
Detail of I Am Me – photo Sue Stone
Detail Family Tree – photo Sue Stone
Detail of From Grimsby to Greenpoint & Beyond – photo Yeshen Venema
Detail Family tree – photo Sue Stone
We will take a break from the course mid-week to enjoy a day of dyeing with the original blue dye from the woad plant, grown in the Toulouse area since medieval times. You can bring things to dye from home, pick items up at local markets or buy natural fabric from Chateau Dumas.
During the week there is also a visit to the nearby atmospheric Sunday morning food and craft market in St Antonin-Noble-Val, the medieval town where the films Charlotte Gray and The Hundred Foot Journey were filmed.
The workshop is suitable for all abilities. For those who are worried about their drawing ability I will provide some simple black & white guides and some vintage illustrations as a base from which to work and a collection of my own handling samples to inspire you. By the end of the workshop you will have new ideas with which to work and the necessary skills to develop your own work further.
About the Chateau
Chateau Dumas
Every year, Selvedge hosts several all-inclusive residential craft workshops at Chateau Dumas, a private estate with 18th century interiors, a large pool and glorious panoramic views – set amongst rolling hills in peaceful, scenic countryside less than an hour north of Toulouse international airport. Owned and run by Lizzie Hulme the Chateau is a place you can relax, unwind and be truly creative in.
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From Grimsby to Greenpoint and Beyond
‘From Grimsby to Greenpoint and Beyond’ has been selected for the 62 Group exhibition ‘Ctrl/Shift’ which will open at MAC, Birmingham on 21 July and runs until 9 September. The piece is made up of 9 sections measures 175 x 123 cms when assembled.
Materials :Linen/recycled clothing fabrics,cotton threads, InkTense pencils,acrylic paint
Techniques: Hand and machine stitch.appliqué, piecing, drawing, painting
Details of ‘From Grimsby to Greenpoint & Beyond’ photos by Yeshen Venema
A visit to Greenpoint, Brooklyn, New York sparked the idea for this work in which the emphasis shifts slightly away from people, and towards place, a specific place, New York and a snapshot of a specific time period 21/12/16 to 3/01/17. Another small shift is in the use of materials, black thread was used abundantly in this piece this is a new departure as was the use of Derwent InkTense pencils to draw and colour the background fabric.
A new approach, an attempt to capture a new energy in the work and a move away from control in the design process meant the work evolved and has had several incarnations during the making process rather than being pre-planned.
There are a multitude of references in this work; to the atmosphere and fast pace of New York City to the areas and places visited and to great beer, coffee and food consumed. Also referenced are a selection of the many street artists in Greenpoint and Bushwick including Faille, a Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller and there’s tribute paid to particular artworks, ‘Jawbone of an Ass’ by Jean-Michel Basquiat and ‘The Mermaid’ a sculpture by Liz Craft at the Whitney Museum of American Art in Manhattan.
