Category Archives: exhibitions

Detail of GGWT Copenhagen

A Grimsby Girl’s World Tour • Copenhagen 2022

A Grimsby Girl’s world Tour • Copenhagen 2022

This is a very personal piece which captures the essence of my creative practice: textural stitch, appliqué and paint combine to create the allusion of a journey to another place and time. It is a poignant work depicting the visit of grandmother to a grandson she never met. He was born 3 weeks after she died. The Grimsby girl, my Mum, Muriel is shown as a child in this piece. She never had the opportunity to travel outside the UK in her lifetime; here she travels to Copenhagen where her grandson, Sam, now a grown man, currently lives with his wife, Eliana.

This work is part of my Grimsby Girl’s World tour series. She has previously visited Bogota, Colombia, Outer Space, Tokyo, Japan, Madrid, Spain, Brooklyn, NYC, USA, & Vancouver, Canada. All places either myself or my work has visited.

Size: 30 x 30 cms

Materials: Linen fabric, cotton & linen threads, applied silk fabric, acrylic paint

Techniques: Hand & machine stitch, painting, appliqué

Retrospective • An Archive of work made in 2021

Imagined Journeys A series of small mixed media studies

Below: A Grimsby Girl’s World Tour continues • Stopover Brooklyn. Image credit Pitcher Design. Hand and machine stitch study

Below: Another Time, Another Place and In Another Life were selected for The Broderers Exhibition The Art of Embroidery 2022

In Another Life 2021 continues a Grimsby Girl’s world tour with a stopover in Madrid . Size 48.5 x 59 cms • Hand/machine stitch with applied fabrics

Born in 1913 she was not able to travel during her lifetime and had very few opportunities in life to pursue her artistic and musical interests. She left school aged 13 and was apprenticed to a tailor. It was a hard life with no recognition of her skill as a seamstress. She loved singing and was a talented contralto. Here in another life, alongside her best friend she travels to Madrid to study music, dance and theatre.

Another Time, Another Place 2021 • Size: 48.5 x 59 cms 

Hand/machine stitch/applied fabrics.

Born in a time when women had no right to vote and many left school at 13 or 14 years old. Ordinary women without opportunities to work after marriage or to travel abroad. Combining images of unknown people from the family album with images from the Alcázar Real in Seville, Spain; symbols of heritage combine with memories to make the composition and bring together an imagined journey to another time and place.

Below: Made in Grimsby was selected for the 62 Group exhibition Connected Cloth

Made in Grimsby • The documenting of a small lifestyle clothing brand called Anywear. 1975 • in an Edwardian shop premises, womenswear was designed & made in Grimsby from cloth that travelled from far and wide. During the lifespan of the business the need to become more commercial had replaced the ‘one off’ designs. By 2002 the designer had had enough of designing other people’s clothes and Anywear closed its doors.

Materials :linen and recycled clothing fabrics, cotton and linen threads

Techniques: hand and machine stitch, appliqué, piecing, drawing

Size: 139 x 87.5 x 2.5 cms

Photos by Pitcher Design

Below: Portrait of Mrs P •a head and shoulders portrait of Constance Howard MBE 1910 – 2000.

Size: 30.5 x 38.5 cms (12 x 15ins)

Techniques: hand embroidery & appliqué. Materials: recycled cotton, linen & silk fabrics, cotton embroidery threads & wool yarn. 

Portrait of Constance Howard MBE (1910 – 2000) who established the influential Embroidery department at Goldsmiths College, University of London. She had a huge impact on contemporary embroidery in the second half of the 20th century. 

Constance was a small, charismatic person with bright green hair which she sported from the 1930s up until her death. She was always known to her students as Mrs P.

Below: A Step into The Unknown

A Step Into the Unknown is part of the Imagined Journeys series • mixed media – Size: 116 x 84cms    (46 x 33ins)

A series of small portraits

I am honoured and delighted to have had In Another Life and Another Time, Another Place selected for the Broderers exhibition The Art of Embroidery.

The exhibition will be held at Bankside Gallery, Thames Riverside,48 Hopton Street, London SE1 9JH and runs from 22 – 27 February 2022.

Opening hours Tue 22 – Sat 26 Feb 11:00-18:00  and Sun 27 Feb 11:00-17:00. Due to Covid 19 restrictions please check before traveling.

Free Admission

In Another Life 2021 continues a Grimsby Girl’s world tour with a stopover in Madrid . Size 48.5 x 59 cms • Hand/machine stitch with applied fabrics

In Another life

Born in 1913 she was not able to travel during her lifetime and had very few opportunities in life to pursue her artistic and musical interests. She left school aged 13 and was apprenticed to a tailor. It was a hard life with no recognition of her skill as a seamstress. She loved singing and was a talented contralto. Here in another life, alongside her best friend she travels to Madrid to study music, dance and theatre.

Another Time, Another Place 2021 • Size: 48.5 x 59 cms

Hand/machine stitch/applied fabrics.

Another Time, Another Place

Born in a time when women had no right to vote and many left school at 13 or 14 years old. Ordinary women without opportunities to work after marriage or to travel abroad. Combining images of unknown people from the family album with images from the Alcázar Real in Seville, Spain; symbols of heritage combine with memories to make the composition and bring together an imagined journey to another time and place.

Made in Grimsby • The documenting of a small lifestyle clothing brand called Anywear. 1975 • in an Edwardian shop premises, womenswear was designed & made in Grimsby from cloth that travelled from far and wide. During the lifespan of the business the need to become more commercial had replaced the ‘one off’ designs. By 2002 the designer had had enough of designing other people’s clothes and Anywear closed its doors.

Materials :linen and recycled clothing fabrics, cotton and linen threads

Techniques: hand and machine stitch, appliqué, piecing, drawing

Size: 139 x 87.5 x 2.5 cms

Photos by Pitcher Design

Girls in a Doorway

a new iPad drawing for work to be made in 2021.

Which Way Now? (below) aka A Self Portrait in Turmoil is perhaps an indication of my frame of mind during lockdown.

size:132 x 59 cms

mixed media

The Girls who made the Suits version 2 (below) is an experiment in texture and pattern

3 new self portraits (below) for the ongoing self portraits now numbering 67. 2 are replacements for portraits that have gone to new homes numbers 26 and 27 and a new one number 67.

Boxing Day with Grandad – iPad drawing – commission for Grimsby Fishing Heritage Centre GFHC in a Box project 2020

A Book Before Bedtime (below) was a commission for the Grimsby Fishing heritage Centre  – GFHC in a Box project supported by Arts council England

Made in 2020

Size: 54.5 x 40 cms

Materials: Acrylic gouache, pencil crayon, cotton and wool threads on cotton calico  

Techniques: Hand embroidery, painting 

A domestic scene from the 1950s when every night my Mum would read me a book at bedtime. We would sit on the settee with me ready for bed in my pyjamas. Our 1950s living room had heavy, dark utility furniture, a patterned carpet, patterned cushions, antimacassars on the settee, and faded patterned wallpaper with plaster ducks flying across the wall. Always a handbag, letters to post, and a favourite photo of my older sister on the side board and always a pair of shoes underneath the sideboard. The wireless set (radio) has a particular significance in capturing the atmosphere of the times. It was via the wireless that we would hear the news, both good and bad, of triumph and of loss. On the wall a picture of my Dad, Fred Stone working on the old pontoon on Grimsby docks in the 1950s with his brother, my Uncle Harry.

I am very proud of my Grimsby heritage and the close ties my family had with the Grimsby fishing industry in the 1950s is often reflected in the artwork I make. I was born in 1952 and as a child I spent a lot of time ‘down dock’ with my Dad, a Grimsby fish merchant. ‘Down Dock’ was a community within a community.

The passing on of knowledge has always been an important part of my artistic practice so when the chance to be involved with this project arose I was honoured to be able to take the opportunity to revisit my roots and make a piece of work for the Fishing Heritage Centre Collection and I welcome the chance for my work to reach a new audience through the loans boxes.

This Life Matters (below)

Work size w 190 cms x 35 cms

Portrait sizes 2 x 17 x 21 cms, 2 x 18.5 x 23.5 cms, 3 x 21 x 26 cms

Recycled linen clothing fabrics, cotton cambric, acrylic film, stranded cotton threads, cotton machine threads, industrial felt mat

Hand stitch, machine stitch, appliqué

‘This Life Matters’ is a series of 7 small portraits which focus on the inequality spotlighted by the Covid 19 pandemic. Each representative of the global community wears the same white t shirt with a slogan ‘This Life Matters’, a nod to Katherine Hamnett’s ‘Choose Life’ slogan t-shirts of the 1980s, Each has their own word embroidered at their side which indicates their circumstances or mindset: Displaced, disenfranchised, disconsolate, dispossessed, dispirited, disabled, and lastly disappearing. Each life is as important as the next. 

A series of new teaching samples (Below) made in 2020

Narrative, Strip Weaving & Portrait – hand stitch & mixed media

Portrait of Anne Morrell (below)

hand stitch 26 x 30 cms

A commissioned work to accompany the article Roots in Two continents by Brinda Gill for Issue 95 (July /August) of Selvedge magazine

Brooklyn: Recollection, Return and Repartee (below)

Completed January 2020

Materials: linen & cotton fabrics, cotton & linen threads, acrylic paint

Size 100 x 77 x 2 cms

Techniques: hand stitch, machine stitch, appliqué, painting

Part of a series of work called From Grimsby* to Greenpoint & Beyond this piece Brooklyn: Recollection, Return, and Repartee recounts the artist’s memories of return visit to Brooklyn in March 2019. The viewer is taken on a journey during which flashbacks and glimpses of everyday life, are encapsulated in the ‘mind’s eye’ of the artist; attempting to capture of the essence of a specific New York borough and recalling the brogue of Brooklyn in the form of sights, experiences and written word. 

Meandering lines plot our paths and the conversations twist and turn; from small talk on the subway to bantering with tall statues in Banker St, taking in gibberish and graffiti in Greenpoint, a powwow at Prospect Park, books at the Brooklyn public library and the buzz of Brooklyn Museum on the way. 

The references in this piece include a homage to the street artist ESPO aka Stephen Powers & artist Deborah Kass 

*Grimsby is the artist’s hometown in the UK.

A Family in China inspired by memories from Robbi Robson

Retrospective – An Archive of Work from 2019

A Family’s Life 1 2019

Re-Tellings – a major solo exhibition by Grimsby based artist Sue Stone whose work is inspired by people, place and time. Hand embroidery plays a big part in Sue’s work sometimes mixed with machine stitch and/or paint and there are also some digital prints and new iPad drawings.

A Family’s Life 2 – 2019 – mixed media

The pieces in this exhibition are part of an ongoing series of narratives inspired by memories; both the artist’s own and those of others. Members of the public were invited to take part by sharing memories of themselves and their relationships in the form of anecdotes, and images and Sue has now collected stories from all over the world. 

A Family's Life 3
A Family’s Life 3 – 2019 – mixed media

The common link in this particular selection of work is that of family and friendship. Many of the stories focus on relationships between family members; the bonds between siblings and cousins, mothers and daughters, grandparents and grandchildren. But there are also tales of imagined journeys and that illusive dream of a Desert Island.  

Detail of They Shared the knitting of the Jumper 2019
Fish, Chips and Lanky Twang 2019
A Family in China
A Family in China 2019
For the Desert Island
For the Desert Island 2019 – mixed media

A selection of smaller works for Re-Tellings

The exhibition also provided another outing for the epic chronicle of the artist’s own life story told in a series of self-portraits one for each year of the artist’s life so far. 66 in total . The 3 new self-portraits below made in 2019 bring the installation up to date.

self portrait no 66
Self Portrait no 66 – of 66 self portraits 2019 – hand and machine stitch – 26 x 30 cms
Self Portrait no 65 – 2019 – hand and machine stitch – 26 x 30 cms
Self Portrait no 64
Self Portrait no 64 – 2019 hand and machine stitch

A Series of iPad drawings made for the Re-Tellings Exhibition 2019.

Commissioned Portrait 2019

A Special Commission 2019 – Portrait of Jonah, Felix and Reuben

Featured in Embroidery – the Textile Art magazine

Re-Tellings Exhibition and a review of my online course in conjunction with Textileartist.org Exploring texture & Pattern

Detail of From Grimsby to Greenpoint & Beyond' 2018

Featured in Selvedge Magazine

Selvedge Magazine January issue 86 Rennaisance

I am delighted that my work will be featured in the January issue of Selvedge magazine.

A detail of my work  From Grimsby to Greenpoint & Beyond is part of the article Text-ile Messaging by Doctor Nicola Donovan. 

The magazine is due to be published on December 14th. 
Buy your copy here

Detail of 'From Grimsby to Greenpoint & Beyond' panel 4 of 9

If you’d rather see it ‘in the flesh’ then head off to Sleaford for the 62 Group Ctrl/Shift exhibition where it will be shown in the main gallery at the National Centre for Craft & Design from 2 February to 22 April 2019.

Inspired by a visit to Greenpoint, Brooklyn the emphasis in this piece shifts slightly away from people, and towards place and contains a multitude of references from a specific place, New York and a specific time period 21/12/16 to 3/01/17.

A new approach and a move away from control in the design process meant the work evolved and had several incarnations during the making process rather than being pre-planned.

From Grimsby to Greenpoint & Beyond
From Grimsby to Greenpoint & Beyond

Ctrl/Shift

The next 62 Group exhibition ‘Ctrl/Shift’ opens on 21 July 2018 and I am delighted that my work ‘From Grimsby to Greenpoint & Beyond’ has been selected to be shown at MAC, Birmingham.

From Grimsby to Greenpoint & Beyond

The exhibition is grouped into four main thematic areas but could equally have been split many other ways. There is also a Project Space in which samples, tools, photos, short films and other materials will shed some light on the making process. We hope that the works will delight, provoke, entertain and educate; and inspire others to explore this most powerful of media, textiles.

The exhibition concept has been developed in partnership with the 62 Group and independent curator Liz Cooper.

The exhibiting artists are:

Imogen Aust, Caroline Bartlett, Heather Belcher, Eszter Bornemisza, Lucy Brown, Penny Burnfield, Nigel Cheney, Daisy Collingridge, Isobel Currie, Flox den Hartog Jager, Catherine Dormor, Dawn Dupree, Caren Garfen, Emily Jo Gibbs, Ann Goddard, Joanna Kinnersly-Taylor, Hannah Lamb, Debbie Lyddon, Sîan Martin, Jane McKeating, Sumi Perera, Shuna Rendel, Vanessa Rolf, and Sue Stone

The Ctrl/Shift Private view is on Saturday 21 July at the MAC and I have attached an invitation, with details, as you are all welcome to come and celebrate the opening with us and to meet some of the artists. Admission is free but booking is essential. Book Here

 

 

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6th Riga International Textile and Fibre Art Triennial Tradition and Innovation on the theme: Identity! 

In 2018 Latvia will celebrate the centenary anniversary of the Republic of Latvia and the Triennial will be part of the festivity cultural programme. I am delighted, and as usual very relieved when I send my artwork abroad, to say that my work I Am Me has arrived in Riga for the 6th Riga International Textile and Fibre Art Triennial Tradition and Innovation on the theme: Identity! I Am Me is one of 85 artworks  from 28 countries chosen for the exhibition from 218 applications.

The exhibition opens on 6 June 2018 at 4 p.m at the Arsenāls Exhibition Hall, Riga  (Torņa St. 1) and will run until September 9, 2018.

Stone,Sue_This_is_ Me

I Am Me – Artist’s Statement

Individuality, distinctiveness, uniqueness form our identity; who or what we are. Visual decoration or types of clothing may suggest class, culture, creed, religion or ethnicity. The outer shell and its various wrappings; skin, clothing, accessories, may alter and transform my appearance as they change. 

This work, made up of 12 self-portraits, is inspired by the humankind’s urge to categorise. Whoever you think you see in these images the person portrayed remains the same throughout. It is me and the viewer is asked to form their own opinion of who I really am.

Stone,Sue,tattoos2

I Am Me – Tattoos

This is Me

I Am Me – Hilda

Stone,Sue,Orange_yellow _turban1

I Am Me – Turban 2

Stone,Sue,punk

I Am Me – punk

This is Me

I Am Me 4

This is me

I Am Me 6

This is me

I Am Me 9

Stone,Sue,Bow

I Am Me – Iris

This is Me

I Am Me 12

This is me

I Am Me 1

This is Me

I Am Me 7