63 - 16

63 – A Self-Portrait – Work in Progress

63 is a self-portrait which, when complete, will be made up of 63 images, one for each year of my life so far. So why put myself through all this work, and, to be perfectly honest, the angst of self examination, a replaying of all the ups and downs of life?
Well, there were several reasons, but the main one was that I was asked by Alf Ludlam, the curator of Shifting Images an exhibition of self-portraits at the Muriel Barker Gallery at Grimsby’s Fishing Heritage Centre, to produce something other than a straight forward self-portrait and this was the idea I came up with. I also thought it would benefit me personally because I would be working to a deadline which, in itself, would force me to look at the way I work and help me find a simplification of my mark-making.

63 - 2

63 work in progress 2

63 - 4

63 work in progress – 4

Although I work in mixed media I consider myself primarily an embroiderer, more specifically a hand embroiderer and because I find hand stitching a therapeutic process, I have a tendency to overstitch. I’m hoping that, in this piece, the viewer will find that my stitching have been given more breathing space and as a result more status. My stitch vocabulary is considered and limited. I don’t use many different types of stitches and but I try to get the most out of those stitches by using them in an original way. I was once given some advice by Constance Howard, when I was studying at Goldsmith’s College in London who said that “you don’t need to know a vast array of stitches but you need to know how use the ones you do know well” so that’s what I try to do.

63 - 7

63 work in progress -7

63 - 12

63 a work in progress – 12

I don’t really look at the work of other embroiderers in an inquisitorial way. This is deliberate, an attempt to keep my own work fresh. One of the ways I do this is by mixing different colours and different weights of threads in the needle leaving the eye to mix the colour. You can read about my favourite stitches  here.
I have deliberately tried to be sparing with my stitching of the faces in this piece to produce a more illustrative style. Mood, quality, expression, character can all be changed by the position of each stitch and a lot of drawing and re-drawing, stitching, unpicking and restitching has been done before moving on.

63 -25

63 a work in progress -25

63 -27

63 a work in progress – 27

I am a ‘glass half full’ sort of person but the process of making this piece has, so far, and I am only just over half way there, been an convergence of mixed emotion. The process has, at times, evoked difficult and even desperately unhappy emotions, the reliving of all that teenage angst, hurt, heartbreak, and loss, the business problems and burglaries, but alongside that the uplifting and happy memories of friends and family and an optimism for the future.

Overall it is proving to be a quite cathartic process.

63 - 32

63 a work in progress – 32

63 will be shown as a ‘work in progress’ in Shifting Images from 8 September 2015 to 6 March 2016. – contemporary self portraiture
Working in partnership with Abbey Walk Gallery the Muriel Barker Gallery at the Grimsby Fishing Heritage Centre will host an Exhibition of of self – portraiture by Lincolnshire Artists past and present.

Advertisements

14 thoughts on “63 – A Self-Portrait – Work in Progress

  1. Sharon Mann

    You have a very beautiful beginning. Stitching self portraits adds to the depth of meaning for each piece. I admire your art. Thank you for posting.

    Reply
  2. Caryn

    What a great project and series to embark on. I love working in series, it brings a strong continuity to the day to day work in the studio and I love the way ideas unfold. These are wonderful! I also love that you work with a few stitches but capitalize on them to express yourself in such a rich manner. Bravo!

    Reply
  3. judy martin

    I liked what you said about fewer stitches having more status. I hadn’t thought of that.
    These portraits are each stunning, and I wonder how the exhibition has been received.

    Reply
    1. womanwithafish Post author

      Thanks Judy. The exhibition as a whole is of a good standard so has been well received. I am the only artist who uses textile techniques in the exhibition so it’s interesting to see all the different styles of self-portraiture and to see my work sitting alongside the paintings holding its own. I have a six and a half metre long wall to myself. I have finished another 11 parts of the self-portrait and just have another 10 to do now to complete it.

      Reply

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s