The inspiration for my work can come from anywhere and everywhere and it sometimes takes on a more serious note. I turned on the radio and heard her voice and the words I will never forget “This is not my War”. They were the words spoken by a Syrian mother whose children aged 5,10 and 12 had just been killed by mortar fire in a war she did not understand. The sound of her voice will stay with me forever.
Some Things Never Change commemorates those children and the many others like them that have lost their lives, or have been mentally or physically scarred by war. The lives of those who have survived war and atrocity are changed for all time.
My Dad and his siblings Harry and Madge were children of the First World War, born just before and during so called ‘war to end war’. I have used their images to represent the universal child. The concrete pillar in the background is inspired by the concrete architecture of the skate park on the South Bank of the Thames and the graffiti of street artist Stik and is covered with cross stitches representing the kisses those Syrian children will never receive.
I listen to the Radio and hear his Voice again recalls something I heard on Radio 4. A 10 year old boy was talking to the reporter “You can’t imagine what I’ve seen, what my country has seen”. The Universal Child uses an image of my Dad to represent children affected by war worldwide.
The Unknown Statistic comes from my research into the First World War during the run up to the centenary in 2014 of the start of the war. A photograph is of some children, unknown to me, but in my husband’s family album was my starting point. I have had this image waiting to be used for many years but it was only when I saw the graffiti in the East End of London I knew how I was going to use it. The children have a poignancy to them. They look as though they are watching someone walking away. I decided to use their images as a way of commemorating all the children left fatherless by the First World War. The exact number of children is unknown as it was not recorded accurately either locally or nationally. I imagined their father was one of the brave Grimsby fishermen whose trawlers went minesweeping the coast with very little protection and little recognition. He walked away and never looked back. It was bad luck for a fisherman to turn around and look back as they walked away to sea. They never saw him again. My own Great Grandfather, Harry Conder died during the first few weeks of World War One when the trawler Fittonia, of which he was skipper, was blown up by a mine in the River Humber. He was survived by a widow and several children. His eldest son Charles Conder died during the last weeks of the war of Spanish Flu, the virus that would be responsible for more than five times as many deaths as the war itself.
These are awesome, and with a very interesting narrative too. How large are your final works?
Yes sorry should have included sizes .
Some things Never Change is 61 x 104 cms
I listen to the Radio and the Universal Child are both 18 x 24 cms
The Unknown Statistic is 102 x 71 cms
That’s very moving, Sue. War has so many consequences. My great uncle Fred died from the flu in France in December 1918 – what a cruel stroke of fate.
Yes I only found out just recently that father and son from the same branch had both died in WW1.